THE APRIL HALL QUARTET

AprilHall_Gallery-63.jpg

April Hall is the consummate jazz vocalist, combining her deep roots in gospel and blues with an honest soulfulness and effervescent jazz sophistication that shines through in every undeniably swinging performance. Her voice, described as “Glorious” by the Boston Globe, is an instrument of breathtaking richness and versatility, capable of ranging from the purest whisper to the most powerful heartfelt delivery. Hall’s masterful performances are always centered on bringing every song to life through emotional interpretation, playful phrasing, and rock solid rhythm. “The exquisite, soulful vocals of April Hall deliver every lyric with emotion and conviction.” - Jazz Times Magazine

Hall graduated from Berklee College of Music, where she received the prestigious Louis Armstrong Performance Award. She has done projects for Atlantic Records under the direction of Arif Mardin, for the likes of Chaka Khan, Melissa Manchester and Bette Midler and has performed with artists such as Rosemary Clooney, Al Jarreau, Billy Joel, Helen Cornelius and Dinah Shore. Hall performs and records with New England’s finest musicians, including Tim Ray, Gray Sargent, Les Harris Jr., Tom Hall, Joe “Sonny” Barbato, Jerry Bergonzi, John Lockwood, Marty Ballou, Mark Poniatowski, Marshall Wood, Jim Gwin, Kenny Hadley and New Orleans's Amadee Castenell. She served as Executive Producer for ImprovLive 365, a daily webseries dedicated to exploring spontaneous creativity and improvisation, and co-produced the Brandeis University Improv Festival, featuring Milford Graves.

Hall is an award winning songwriter and her music has been featured on Boston's "Women in Music" series, on "The Coffeehouse”, WGBH’s “Eric in the Evening” and the nationally syndicated "Jazz After Hours" with PRI's Jim Wilke. Hall’s jazz recordings have topped national and international jazz charts, and “Room for Two” was named one of the top 50 Jazz Albums of 2012 by Jazz Times Magazine. In addition to her ongoing performances, Hall also continues to work with students both privately and across the country, holding master classes and clinics in modern vocal and microphone techniques and on the subject of "Songwriting in a Free Society”. Hall is a faculty member at Berklee College of Music’s Voice Department, where she teaches Voice lessons and Vocal Ensembles as well as Musicianship (ear training), Jazz and R&B Ensembles and Music Theory for Vocalist.

 
 

"Hall delivers with honey coated phrases that melt gracefully while she upholds the tradition"-All About Jazz

AprilHall_Gallery-110.jpg

April Hall’s album, “Fun Out of Life”, revitalizes the classic jazz standard, creating music that’s alive with energy and attitude. From subtly nuanced ballads to soul-drenched blues, the emotional power of her delivery is perfectly framed by the elegant simplicity of her arrangements.

Hall’s performances are deeply personal from “I’ve Got the World on a String” and unapologetically swinging on “Foolin’ Myself”. She sings Jimmy Rushing’s “Boogie Woogie Blues” with an authentic southern swagger, and gives an unforgettably sultry rendition of Percy Mayfield‘s protest song “Please Send Me Someone to Love” featuring New Orleans saxophonist Amadee Castenell. Add to Halls stunning vocals her stellar ensemble that organically follows the lead of Hall’s exquisite phrasing, and you can be sure that you emerge an admirer.

Hall’s album, “Room for Two”, is a bold and intimate exploration of the art of the duo. Every aspect of it is a duet; the way it was recorded, the improvised album art, the poetry written for each track, and the songs themselves. Room for Two is a homage to the days of vinyl, when albums themselves were works of art. The unique pairings of one voice with one instrument exposes a rich landscape of normally hidden musical subtlety, revealing every detail of the actual performance.

Every duo is different, from the playful call and response on “Honeysuckle Rose” to the deeply honest conversation of “To Whom It May Concern”; from the swinging rhythms of “Amazing Love” to the soulful mingling of melodies on “Gee Baby, Ain’t I Good to You”; but what always stays the same is Hall’s masterful interpretation and stunning vocal performance.

"The exquisite, soulful vocals of April Hall deliver every lyric with emotion and conviction." -Jazz Times

AprilHall_Gallery-111.jpg
 

“I love my band. Playing with people that share the same musical ideals is a gift, and it makes me feel good, it makes us feel good.

Jazz should feel good.

Playing with my quartet makes me grateful to be alive, it’s joyful and it’s my job to bring that joy to each person on the stage and in the audience.” -April Hall

 
 
 
 

"…An achingly beautiful voice" -All About Jazz

 
AprilHall_Gallery-94.jpg